Dietrich Fischer-Dieskau: Opera Arias
£8.50
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Label: Alto
Cat No: ALC1168
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 6th February 2012
Contents
Works
Fidelio, op.72 » Ha! Welch ein Augenblick
Die Zauberflote (The Magic Flute), K620 » Der Vogelfanger bin ich ja (arr. Andreas Traeg)
» Ein Madchen oder Weibchen
Don Giovanni, K527 » Deh vieni alla finestra
» Fin ch'han dal vino
Don Carlo » Per me giunto ...O Carlo ascolta
Falstaff » Ehi! Paggio! L'onore! Ladri!
» Ehi Taverniere! ...Mondo ladro
Il trovatore » Il balen del suo sorriso (Act 2)
I vespri siciliani » In braccio alle dovizie
Rigoletto » Cortigiani, vil razza dannata
» Pari siamo
Un ballo in maschera » Alla vita che t'arride
» Eri tu che macchiava
Der fliegende Hollander (The Flying Dutchman) » Die Frist ist um
Tannhauser » Als du in kuhnem Sange
» Blick ich umher
» O du, mein holder Abendstern
Artists
Dietrich Fischer-Dieskau (baritone)RIAS Berlin Symphony Orchestra
Chorus and Orchestra of Bavarian State Opera
Philharmonia Orchestra
Orchestra of the Bayreuth Festival
Orchestra of the Berlin State Opera
Berlin Philharmonic Orchestra
Conductors
Ferenc FricsayWilhelm Schuchter
Andre Cluytens
Franz Konwitschny
Alberto Erede
Works
Fidelio, op.72 » Ha! Welch ein Augenblick
Die Zauberflote (The Magic Flute), K620 » Der Vogelfanger bin ich ja (arr. Andreas Traeg)
» Ein Madchen oder Weibchen
Don Giovanni, K527 » Deh vieni alla finestra
» Fin ch'han dal vino
Don Carlo » Per me giunto ...O Carlo ascolta
Falstaff » Ehi! Paggio! L'onore! Ladri!
» Ehi Taverniere! ...Mondo ladro
Il trovatore » Il balen del suo sorriso (Act 2)
I vespri siciliani » In braccio alle dovizie
Rigoletto » Cortigiani, vil razza dannata
» Pari siamo
Un ballo in maschera » Alla vita che t'arride
» Eri tu che macchiava
Der fliegende Hollander (The Flying Dutchman) » Die Frist ist um
Tannhauser » Als du in kuhnem Sange
» Blick ich umher
» O du, mein holder Abendstern
Artists
Dietrich Fischer-Dieskau (baritone)RIAS Berlin Symphony Orchestra
Chorus and Orchestra of Bavarian State Opera
Philharmonia Orchestra
Orchestra of the Bayreuth Festival
Orchestra of the Berlin State Opera
Berlin Philharmonic Orchestra
Conductors
Ferenc FricsayWilhelm Schuchter
Andre Cluytens
Franz Konwitschny
Alberto Erede
About
Contents:
1. Der vogelfänger bin ich ja (Die Zauberflöte: Mozart)
2. Ein mädchen oder weibchen (Die Zauberflöte: Mozart)
RIAS Berlin Symphony Orchestra / Ferenc Fricsay
Rec.1955
3. Champagne Aria: Finch’han dal vino (Don Giovanni: Mozart)
4. Deh vieni alla finestra (Don Giovanni: Mozart)
RIAS Berlin Symphony Orchestra / Ferenc Fricsay
Rec.1958
5. Ha! Welch ein augenblick (Fidelio: Beethoven)
Chorus and Orchestra of Bavarian State Opera / Ferenc Fricsay
Rec.1957
6. Als du in kuhnem Sange (Tannhäuser: Wagner)
Philharmonia Orchestra / Wilhelm Schüchter
Rec.1952
7. Blick ich umher (Tannhäuser: Wagner)
Orchestra of the Bayreuth Festival / André Cluytens
Rec.1955
8. O du mein holdern abendstern (Tannhäuser: Wagner)
Orchestra of the Bayreuth Festival / André Cluytens
Rec.1955
9. Die Frist ist um (Der Fliegende Holländer: Wagner)
Orchestra of the Berlin State Opera / Franz Konwitschny
Rec.1959
Verdi Arias:
10. In braccio alle dovizie (I Vespri Siciliani)
11. Pari siamo (Rigoletto)
12. Cortigiani (Rigoletto)
13. Il balen (Il Trovatore)
14. Alla vita che t’arride (Un Ballo in Maschera)
15. Eri tu (Un Ballo in Maschera)
16. Per me giunto…O Carlo ascolta (Don Carlo)
17. Ehi! Paggio! L’onore! Ladri! (Falstaff)
18. Ehi Taverniere!...Mondo ladro (Falstaff)
Berlin Philharmonic Orchestra / Alberto Erede
Rec.1961
“This collection shows how directly he transplants Lieder-style into another genre…on the Mozart side the results are both convincing and intensely memorable. Fischer-Dieskau has twice recorded the part of Papageno, these earlier Fricsay versions have been preferred to the later Bohm …and in the Don Giovanni items….the Don's Champagne Aria and Serenade are more mellifluous…. the two extracts from Falstaff, infinitely resourceful, mercurial performances from his Verdi recital -how refreshing to hear Verdi sung on the assumption that there is intelligent, as well as emotional, lyrical and rhetorical, sense to be made.” - Gramophone
1. Der vogelfänger bin ich ja (Die Zauberflöte: Mozart)
2. Ein mädchen oder weibchen (Die Zauberflöte: Mozart)
RIAS Berlin Symphony Orchestra / Ferenc Fricsay
Rec.1955
3. Champagne Aria: Finch’han dal vino (Don Giovanni: Mozart)
4. Deh vieni alla finestra (Don Giovanni: Mozart)
RIAS Berlin Symphony Orchestra / Ferenc Fricsay
Rec.1958
5. Ha! Welch ein augenblick (Fidelio: Beethoven)
Chorus and Orchestra of Bavarian State Opera / Ferenc Fricsay
Rec.1957
6. Als du in kuhnem Sange (Tannhäuser: Wagner)
Philharmonia Orchestra / Wilhelm Schüchter
Rec.1952
7. Blick ich umher (Tannhäuser: Wagner)
Orchestra of the Bayreuth Festival / André Cluytens
Rec.1955
8. O du mein holdern abendstern (Tannhäuser: Wagner)
Orchestra of the Bayreuth Festival / André Cluytens
Rec.1955
9. Die Frist ist um (Der Fliegende Holländer: Wagner)
Orchestra of the Berlin State Opera / Franz Konwitschny
Rec.1959
Verdi Arias:
10. In braccio alle dovizie (I Vespri Siciliani)
11. Pari siamo (Rigoletto)
12. Cortigiani (Rigoletto)
13. Il balen (Il Trovatore)
14. Alla vita che t’arride (Un Ballo in Maschera)
15. Eri tu (Un Ballo in Maschera)
16. Per me giunto…O Carlo ascolta (Don Carlo)
17. Ehi! Paggio! L’onore! Ladri! (Falstaff)
18. Ehi Taverniere!...Mondo ladro (Falstaff)
Berlin Philharmonic Orchestra / Alberto Erede
Rec.1961
“This collection shows how directly he transplants Lieder-style into another genre…on the Mozart side the results are both convincing and intensely memorable. Fischer-Dieskau has twice recorded the part of Papageno, these earlier Fricsay versions have been preferred to the later Bohm …and in the Don Giovanni items….the Don's Champagne Aria and Serenade are more mellifluous…. the two extracts from Falstaff, infinitely resourceful, mercurial performances from his Verdi recital -how refreshing to hear Verdi sung on the assumption that there is intelligent, as well as emotional, lyrical and rhetorical, sense to be made.” - Gramophone
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